«The image I chose to summarise the story of La traviata is that of a broken mirror: it represents the destiny of a woman celebrated by a society that, at the same time, is the very society that destroys her». These are the words of Damiano Michieletto, who from 22 July to 23 August stages his first La traviata.
The first chapter of Wagner’s famous Der Ring des Nibelungen tetralogy, Das Rheingold, will open a month of major debuts for Michele Spotti.
Described by The New York Times as a soprano who “brings Italy back to life,” and recognized as one of the leading international interpreters of the bel canto repertoire, Rosa Feola returns to the Metropolitan Opera in New York starting tonight, May 3.
