It’s not Hamlet, and it’s not Shakespeare. It’s Ambleto — the very first opera in music history to tell the story of the Danish prince — brought to Vienna with an unexpected ending that celebrates the central role of female figures. This symbolic choice lies at the heart of the new production of Ambleto, the Baroque masterpiece by Francesco Gasparini, on stage at the MusikTheater an der Wien from May 6 to 17, 2025.
«I wanted to emphasize the surreal aspect of Betrothal in a Monastery. It’s a comic opera that tells of the protagonist’s journey into a fantasy world; and we try to make it all the more effective by changing the spatial dimensions, playing with transforming costumes and identities, and by creating visions that bring the story to an imaginative level». This is how Damiano Michieletto describes his new production of Sergej Prokofiev’s Betrothal in a Monastery, running at the MusikTheater an der Wien, in the capital of Austria, from Wednesday 26 March until 9 April.
